APRIL 2020 https://www.instagram.com/issi_issa This residency iterates upon the first residency prototype exploring architectural methods of creating form through collaboration and translating this method into a set of dialogic frameworks. By using social media new digital landscapes are generated to stand as a language of form inspired by ongoing conversations with Read more…
MARCH 2019 https://www.instagram.com/charred_ouens/ With Charred Ous, I want to make visible the unseen forces, both historical and emotional, that contribute towards a charou culture in South Africa. Charou, a word that comes from Durban and Cape Town slang, refers to working class, ‘raw people’ of Indian origin. Charous, like most Read more…
OCTOBER 2018 https://instagram.com/bonny_maphutse This residency is an opportunity to explore the digital as an advertising mechanism. How can an image give value in the digital age? The image that is the focus of this residency is of Mamoloyi’s, a powerful source. The narrative surrounding her will develop over the two Read more…
JULY 2018 https://www.instagram.com/m3m3saviour/ Included in Internet artist Tiger Maremela’s debut exhibition and live performance titled ‘Soundscapes of a Warzone’, is a print with the above question beckoning the viewer to consider their consumption of digital media and the effects of said consumption. Accompanied by prints with declarative statements such as Read more…
APRIL 2018 https://danielrautenba.ch/Concept-Generator Taking cue from the brief ‘You have 2 weeks. 14 days. 336 hours. 20 160 minutes. What will you do?’, I decided to look at automation and content generation. In our world’s hyper-capitalist-state we are driven constantly to produce. Whether artists, writers, office workers, or labourers; our livelihood Read more…
APRIL 2015 https://www.jeffgerber.tumblr.com It Won’t Happen To You, So You Can Laugh is a new ongoing documentation work that— through a process of collating and collaging sound, image, and text—is dedicated to solely addressing understandings of Black Britain. For the duration of the 14-day period the work focusses on exploitation and Read more…