MARCH 2019 https://www.instagram.com/charred_ouens/ With Charred Ous, I want to make visible the unseen forces, both historical and emotional, that contribute towards a charou culture in South Africa. Charou, a word that comes from Durban and Cape Town slang, refers to working class, ‘raw people’ of Indian origin. Charous, like most Read more…
JULY 2018 https://www.instagram.com/m3m3saviour/ Included in Internet artist Tiger Maremela’s debut exhibition and live performance titled ‘Soundscapes of a Warzone’, is a print with the above question beckoning the viewer to consider their consumption of digital media and the effects of said consumption. Accompanied by prints with declarative statements such as Read more…
MAY 2017 https://www.thuligamedze.com/wow-3000zf WOW_3000ZF is an online course run by Prof gamEdze. This free course is intended to challenge its students to consider the tensions between South African art making practices during and post-apartheid, exploring whether the Rainbow Nation project was one that included the de-politicisation of our art practice. Read more…
FEBRUARY 2015 https://newhive.com/bogosisekhukhuni/open-time-faka-fl-residency FAKA x OPEN TIME is a collaborative residency workshop between Johannesburg-based performative group FAKA and the OPEN TIME think tank (Bogosi Sekhukhuni). For the duration of two weeks the residency will be engaged in a cultural generating process that is succinctly materialized by online blogging practices; with Read more…
MARCH 2014 http://cussgroup.com/digital_residency.html For this residency we propose to produce a ‘digital time collage’. With a focus on the element of time during this residency, we would like to create a moving image-collage that is slowly built up over the 10 day (//2Weeks) period. The focus, as with all of Read more…